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Scene 3: What?s The Deal? Chords
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[Verse 1] Hi, Larry. [D]It's good to have you back on our panel. Hi, Dave. It's really great to be back on your [Em]pan el. I'm sure the people at home will be [D]interested to know why such a large dwarf as you is all dressed up [E]like Frank [A]Zappa. [E]Tell us, Larry. What's the deal? [D]He made me do it, Dave. He's [Em]such a creep. He's [D]making me [E]hold this Aladdin. [D]And why is he making you do that, Larry[E]? He wants me to fuck the [Em]girl with the harp.[G] [D]He wants you to fuck the girl with the harp? No, no. With the [E]magic lamp. [A]He wants me to stuff it [F#m]up her and rub [E]it.[D][E] [D][G][D] [E]Let's ask our studio audience. If you'd just been lowered down here on TV by a wire connected to a brown leather harness, forced by a crazy [D]person to insert a [E]mysterious imported lamp into the repro[D]ductive orifice [E]of a lady harpist, and you were a [D]dwarf,[E] [D]would you do it? Yes! [E]Let's spin [D]the big wheel, Larry. Go ahead. [E]Give it a whirl. [C]What our studio [D]audience doesn't know is that the reason [A]Larry the Dwarf is do[D]ing all this stuff is because it's all part of the score to Two Hundred Motels. Every word, every [A]ac tion, [E]the lamp, [D]the reproductive [A]orifice, [D]it's all in the score so he has to do it. This whole [A]event is a fantasy [E]that occurred tour[A]ing on the [D]road. [G]Touring can make [D]you crazy, [E]ladies and gentlemen. That is [D]precisely [A]what 200 Motels [D]is all about.
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